Tag

contrast control.

5 items filed under this.

Guides

5
  1. Colour filters in black and white photography: what they do, when to use them and why green still has a place How colour filters work in black and white photography, with side-by-side FP4 tests through a Yashica 635, and why green is more useful than it looks.
  2. Colour filters in black and white photography: what they do, when to use them and why green still has a place How colour filters work in black and white photography, with side-by-side FP4 tests through a Yashica 635, and why green is more useful than it looks.
  3. Black and white paper reversal: the technique that actually works Six shoots, dozens of test sheets, three findings. ISO 1.8 for paper reversal in UK winter light. Develop to completion. Yellow filters cost four stops.
  4. Printing or scanning: how the same negative can look completely different Lomography Berlin Kino 400 looked rough when scanned. Printed properly in the darkroom, the same negatives look great. Worth knowing about.
  5. Black and white paper reversal: a paper and developer test Sixteen papers, eleven developers and four days in the darkroom, hunting what reduces contrast in black and white paper reversal. Ansco 120 made it work.