<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>the120ist — guides</title><description>Film photography guides from the120ist. Medium format, 35mm, large format, developing, scanning — all of it, written down.</description><link>https://the120.ist/</link><language>en-gb</language><item><title>The Alfie BOXX: a box camera that develops its own prints</title><link>https://the120.ist/guides/alfie-boxx-first-impressions/</link><guid isPermaLink="true">https://the120.ist/guides/alfie-boxx-first-impressions/</guid><description>Hands on with the Alfie BOXX, a box camera built for black and white paper reversal. Compose, expose onto paper, then develop the print inside the holder.</description><pubDate>Wed, 10 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Paper reversal in a churchyard with a 1905 Cooke lens</title><link>https://the120.ist/guides/paper-reversal-churchyard-cooke-lens/</link><guid isPermaLink="true">https://the120.ist/guides/paper-reversal-churchyard-cooke-lens/</guid><description>Back to black and white paper reversal after more than a year off, with the Stenopeika Caronte 4x5 and a Taylor-Hobson Cooke lens from around 1905.</description><pubDate>Mon, 04 May 2026 00:00:00 GMT</pubDate></item><item><title>Farewell to the Bronica ETRS</title><link>https://the120.ist/guides/farewell-bronica-etrs/</link><guid isPermaLink="true">https://the120.ist/guides/farewell-bronica-etrs/</guid><description>One last shoot with a camera I have loved, before it heads to its new owner in Australia. Self-portraits on Kentmere 200 and Potsdam in my garage studio.</description><pubDate>Tue, 27 Jan 2026 00:00:00 GMT</pubDate></item><item><title>Rolleiflex 6006 review: a great camera I&apos;m still selling</title><link>https://the120.ist/guides/rolleiflex-6006-review/</link><guid isPermaLink="true">https://the120.ist/guides/rolleiflex-6006-review/</guid><description>After six months of failure, a broken first copy and a retired camera tech in Toronto, I finally got a working Rolleiflex 6006. So why am I selling it?</description><pubDate>Sun, 14 Sep 2025 00:00:00 GMT</pubDate></item><item><title>Harman Phoenix 2 review: an actual colour film now</title><link>https://the120.ist/guides/harman-phoenix-2-review/</link><guid isPermaLink="true">https://the120.ist/guides/harman-phoenix-2-review/</guid><description>Hands-on review of Harman Phoenix 2 in 120, shot beside Phoenix 1 across two rolls in rural Gloucestershire. It is a real step on, and I am buying more.</description><pubDate>Thu, 17 Jul 2025 00:00:00 GMT</pubDate></item><item><title>Flash and black and white paper reversal: a 1000W test</title><link>https://the120.ist/guides/flash-with-paper-reversal/</link><guid isPermaLink="true">https://the120.ist/guides/flash-with-paper-reversal/</guid><description>Can flash solve the long exposure problem in black and white paper reversal? I tested a Bowens Esprit 1000DX on a Stenopeika Caronte 4x5. It just works.</description><pubDate>Tue, 08 Jul 2025 00:00:00 GMT</pubDate></item><item><title>Harman Red 125 in 120: a film I still do not understand</title><link>https://the120.ist/guides/harman-red-125-review/</link><guid isPermaLink="true">https://the120.ist/guides/harman-red-125-review/</guid><description>Harman Red is now in 120 alongside the original 35mm launch. I shot two rolls trying to work out what it is for. It makes red images, very competently.</description><pubDate>Tue, 17 Jun 2025 00:00:00 GMT</pubDate></item><item><title>Bronica ETRS portrait shoot in Toronto: when the Rolleiflex 6006 lets you down</title><link>https://the120.ist/guides/bronica-etrs-toronto-portrait-shoot/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-etrs-toronto-portrait-shoot/</guid><description>Bronica ETRS portrait shoot in a Toronto studio with model Sherri Johnson, when the Rolleiflex 6006 refused to work and the ETRS saved the day.</description><pubDate>Wed, 14 May 2025 00:00:00 GMT</pubDate></item><item><title>Inside the Armstrong Hall: a theatre frozen at lockdown</title><link>https://the120.ist/guides/armstrong-hall-abandoned-theatre/</link><guid isPermaLink="true">https://the120.ist/guides/armstrong-hall-abandoned-theatre/</guid><description>Thornbury&apos;s Armstrong Hall closed at the start of UK lockdown and stayed shut four years. Before it reopens I went in with a 4x5 and 24 sheets of FP4.</description><pubDate>Sun, 11 May 2025 00:00:00 GMT</pubDate></item><item><title>Kentmere Pan 200 review: a budget film with real character</title><link>https://the120.ist/guides/kentmere-pan-200-review/</link><guid isPermaLink="true">https://the120.ist/guides/kentmere-pan-200-review/</guid><description>Kentmere Pan 200 is Ilford&apos;s new budget film, between Pan 100 and 400. Tested on Bronica GS1 and Rolleiflex SLX, it is so good at around £5 a roll.</description><pubDate>Fri, 09 May 2025 00:00:00 GMT</pubDate></item><item><title>Sekonic L858-D review: six months with the gold standard</title><link>https://the120.ist/guides/sekonic-l858-d-review/</link><guid isPermaLink="true">https://the120.ist/guides/sekonic-l858-d-review/</guid><description>An honest review of the Sekonic L858-D SpeedMaster after six months of use, including for the paper reversal project. It is brilliant, and expensive.</description><pubDate>Sat, 03 May 2025 00:00:00 GMT</pubDate></item><item><title>Stenopeika Caronte 4x5: the cypress-wood field camera</title><link>https://the120.ist/guides/stenopeika-caronte-4x5-first-impressions/</link><guid isPermaLink="true">https://the120.ist/guides/stenopeika-caronte-4x5-first-impressions/</guid><description>Stenopeika&apos;s new Caronte 4x5 is a premium step up from the Air Force 4x5, with a Tuscan Cypress body and all-metal base. First impressions from the studio.</description><pubDate>Tue, 22 Apr 2025 00:00:00 GMT</pubDate></item><item><title>Missing my Bronica S2A: an appreciation</title><link>https://the120.ist/guides/bronica-s2a-appreciation/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-appreciation/</guid><description>I am in Canada and my Bronica S2A is at home, and I miss it. A quiet appreciation of the camera that has become part of the family over seven years.</description><pubDate>Tue, 08 Apr 2025 00:00:00 GMT</pubDate></item><item><title>Leica M6 vs Texas Leica: Portra 400 in two rangefinders</title><link>https://the120.ist/guides/leica-m6-vs-texas-leica/</link><guid isPermaLink="true">https://the120.ist/guides/leica-m6-vs-texas-leica/</guid><description>A street photography collaboration in Toronto, putting a Leica M6 against a Fuji GSW690iii on the same Portra 400, in the same streets. Not a competition.</description><pubDate>Mon, 31 Mar 2025 00:00:00 GMT</pubDate></item><item><title>Fuji GSW690iii review: a camera that might be too good</title><link>https://the120.ist/guides/fuji-gsw690iii-review/</link><guid isPermaLink="true">https://the120.ist/guides/fuji-gsw690iii-review/</guid><description>The Fuji GSW690iii makes immaculate 6x9 negatives from a fixed 65mm super-wide lens. It is bulletproof and flawless. So what do I actually do with it?</description><pubDate>Sat, 22 Mar 2025 00:00:00 GMT</pubDate></item><item><title>K&amp;F Concept A254C4 tripod review: birds at minus fourteen</title><link>https://the120.ist/guides/kf-concept-tripod-bird-photography/</link><guid isPermaLink="true">https://the120.ist/guides/kf-concept-tripod-bird-photography/</guid><description>An honest review of the K&amp;F Concept A254C4 carbon fibre tripod and B-35L ballhead, plus my slow-motion disaster photographing birds in sub-zero Toronto.</description><pubDate>Tue, 18 Mar 2025 00:00:00 GMT</pubDate></item><item><title>Stenopeika Minutero 2.0: paper reversal at the kitchen table</title><link>https://the120.ist/guides/stenopeika-minutero-2-review/</link><guid isPermaLink="true">https://the120.ist/guides/stenopeika-minutero-2-review/</guid><description>The Stenopeika Minutero 2.0 develops 4x5 black and white paper inside the holder itself, no darkroom needed. After one session it changed how I work.</description><pubDate>Fri, 14 Feb 2025 00:00:00 GMT</pubDate></item><item><title>Reveni Labs Lumo review: a $200 light meter that delivers</title><link>https://the120.ist/guides/reveni-labs-lumo-review/</link><guid isPermaLink="true">https://the120.ist/guides/reveni-labs-lumo-review/</guid><description>Hands-on with the Reveni Labs Lumo, a tiny multi-function light meter that does nearly everything a Sekonic L858-D does for about a fifth of the price.</description><pubDate>Thu, 06 Feb 2025 00:00:00 GMT</pubDate></item><item><title>Building a massive DIY ultra large format box camera</title><link>https://the120.ist/guides/diy-ulf-box-camera-build/</link><guid isPermaLink="true">https://the120.ist/guides/diy-ulf-box-camera-build/</guid><description>How I built a 20x16 ultra large format portrait box camera from plywood, a WWII aerial lens and 3D-printed cones, for about £300. The build and lessons.</description><pubDate>Fri, 24 Jan 2025 00:00:00 GMT</pubDate></item><item><title>Sirui C150X Lite review: a 150W light for paper reversal</title><link>https://the120.ist/guides/sirui-c150x-lite-review/</link><guid isPermaLink="true">https://the120.ist/guides/sirui-c150x-lite-review/</guid><description>The Sirui C150X Lite is a 150-watt constant light for semi-pro work, with a battery handle and QR40 softbox. Bright enough even for low-ISO paper reversal.</description><pubDate>Wed, 15 Jan 2025 00:00:00 GMT</pubDate></item><item><title>Zeiss Ikon Ikonta 520: a 90-year-old 645 folder for £20</title><link>https://the120.ist/guides/zeiss-ikon-ikonta-520-review/</link><guid isPermaLink="true">https://the120.ist/guides/zeiss-ikon-ikonta-520-review/</guid><description>The Zeiss Ikon Ikonta 520 dates from 1932. Fully mechanical and pocketable, with a 70mm f3.5 Tessar. About £20 on eBay, and the results are extraordinary.</description><pubDate>Fri, 06 Dec 2024 00:00:00 GMT</pubDate></item><item><title>Multi-exposure paper reversal portraits for a Vienna show</title><link>https://the120.ist/guides/multi-exposure-paper-reversal-vienna/</link><guid isPermaLink="true">https://the120.ist/guides/multi-exposure-paper-reversal-vienna/</guid><description>Asked to submit to a Vienna exhibition, I made a series of multi-exposure self-portraits on black and white paper reversal. Unexpected and rather lovely.</description><pubDate>Wed, 13 Nov 2024 00:00:00 GMT</pubDate></item><item><title>Jaggle Berlinova review: darkroom prints in daylight</title><link>https://the120.ist/guides/jaggle-berlinova-review/</link><guid isPermaLink="true">https://the120.ist/guides/jaggle-berlinova-review/</guid><description>The Jaggle Berlinova is a daylight printing system that makes analogue enlargements with no darkroom, the way daylight tanks process film without one.</description><pubDate>Sat, 26 Oct 2024 00:00:00 GMT</pubDate></item><item><title>Black and white paper reversal: a paper and developer test</title><link>https://the120.ist/guides/the-big-test-paper-developer-reversal/</link><guid isPermaLink="true">https://the120.ist/guides/the-big-test-paper-developer-reversal/</guid><description>Sixteen papers, eleven developers and four days in the darkroom, hunting what reduces contrast in black and white paper reversal. Ansco 120 made it work.</description><pubDate>Tue, 15 Oct 2024 00:00:00 GMT</pubDate></item><item><title>Harman Phoenix 120 review: a colour film for medium format</title><link>https://the120.ist/guides/harman-phoenix-120-review/</link><guid isPermaLink="true">https://the120.ist/guides/harman-phoenix-120-review/</guid><description>Harman Phoenix arrived in 120 in 2024, the first all-new colour film for medium format in years. I tested it in confetti fields, a Holga and the studio.</description><pubDate>Thu, 05 Sep 2024 00:00:00 GMT</pubDate></item><item><title>Lomo LC-A 120 review: a medium format point-and-shoot</title><link>https://the120.ist/guides/lomo-lca-120-review/</link><guid isPermaLink="true">https://the120.ist/guides/lomo-lca-120-review/</guid><description>The Lomo LC-A 120 is an auto-exposure point-and-shoot shooting 6x6 on 120. I took it across Botswana and Namibia, loved the lens, and wanted one anyway.</description><pubDate>Tue, 03 Sep 2024 00:00:00 GMT</pubDate></item><item><title>Zhiyun Cinepeer CF100: a stick light for film photography?</title><link>https://the120.ist/guides/zhiyun-cinepeer-cf100-review/</link><guid isPermaLink="true">https://the120.ist/guides/zhiyun-cinepeer-cf100-review/</guid><description>The Zhiyun Cinepeer CF100 is an LED stick light aimed at video. I tested it for film portraits, even dry plates at ISO 2, and the shape of it won me over.</description><pubDate>Tue, 27 Aug 2024 00:00:00 GMT</pubDate></item><item><title>Stenopeika Air Force 4x5: a great first large format camera</title><link>https://the120.ist/guides/stenopeika-air-force-4x5-long-term-review/</link><guid isPermaLink="true">https://the120.ist/guides/stenopeika-air-force-4x5-long-term-review/</guid><description>Eighteen months with one large format camera. A long-term review of the Stenopeika Air Force 4x5, the entry-level field camera I use for all my 4x5 work.</description><pubDate>Fri, 09 Aug 2024 00:00:00 GMT</pubDate></item><item><title>AstrHori XH-2 review: a good meter, a comedy of my errors</title><link>https://the120.ist/guides/astrhori-xh-2-review/</link><guid isPermaLink="true">https://the120.ist/guides/astrhori-xh-2-review/</guid><description>The AstrHori XH-2 is a compact reflective hot shoe meter that styles beautifully on a Bronica ETRS. It is great. I am the problem here, not the meter.</description><pubDate>Thu, 11 Jul 2024 00:00:00 GMT</pubDate></item><item><title>Freewell V2 Hybrid review: a variable ND and polariser</title><link>https://the120.ist/guides/freewell-v2-hybrid-review/</link><guid isPermaLink="true">https://the120.ist/guides/freewell-v2-hybrid-review/</guid><description>The Freewell V2 Hybrid combines a 3-to-7-stop variable ND and a circular polariser in one filter. Tested on 4x5, the stop markings make film exposure easy.</description><pubDate>Fri, 14 Jun 2024 00:00:00 GMT</pubDate></item><item><title>Fuji GX680 review: a £40 beast with insane image quality</title><link>https://the120.ist/guides/fuji-gx680-review/</link><guid isPermaLink="true">https://the120.ist/guides/fuji-gx680-review/</guid><description>The Fuji GX680 is the biggest medium format SLR I have owned, and it makes the sharpest images I have got from film. Dead batteries make these dirt cheap.</description><pubDate>Sun, 28 Apr 2024 00:00:00 GMT</pubDate></item><item><title>Mamiya RB67 review: a great camera, but most are ruined</title><link>https://the120.ist/guides/mamiya-rb67-review/</link><guid isPermaLink="true">https://the120.ist/guides/mamiya-rb67-review/</guid><description>The Mamiya RB67 is a great medium format camera in good condition. The problem is most for sale are not. I bought three and returned two. What to look for.</description><pubDate>Sat, 13 Apr 2024 00:00:00 GMT</pubDate></item><item><title>VSGO Black Snipe 25L review: the camera bag I&apos;ve been looking for</title><link>https://the120.ist/guides/vsgo-black-snipe-25l-review/</link><guid isPermaLink="true">https://the120.ist/guides/vsgo-black-snipe-25l-review/</guid><description>A camera bag actually built right for large format film shooters. Rigid body, fully customisable interior, genuinely secure tripod mount, $250.</description><pubDate>Thu, 28 Mar 2024 00:00:00 GMT</pubDate></item><item><title>Building an ultra large format pinhole camera out of a cardboard box</title><link>https://the120.ist/guides/diy-cardboard-box-pinhole-camera/</link><guid isPermaLink="true">https://the120.ist/guides/diy-cardboard-box-pinhole-camera/</guid><description>Stenopeika launched an 11x14 ultra large format camera. I cannot afford one. So I built a 12x16 pinhole camera out of a cardboard box for under £10.</description><pubDate>Tue, 12 Mar 2024 00:00:00 GMT</pubDate></item><item><title>Pentacon Six TL review: cheap, capable, and only as good as the lens you put on it</title><link>https://the120.ist/guides/pentacon-six-tl-review/</link><guid isPermaLink="true">https://the120.ist/guides/pentacon-six-tl-review/</guid><description>Pentacon Six TLs are everywhere and they&apos;re cheap, which is the bit that matters. The body is fine. The Carl Zeiss lenses are the reason to buy in.</description><pubDate>Tue, 27 Feb 2024 00:00:00 GMT</pubDate></item><item><title>Photographing Thornbury Men&apos;s Shed on four different cameras</title><link>https://the120.ist/guides/thornbury-mens-shed-shoot/</link><guid isPermaLink="true">https://the120.ist/guides/thornbury-mens-shed-shoot/</guid><description>Thornbury Men&apos;s Shed on four cameras. The place is brilliant. The cameras were a mixed bag. The panoramic Brownie 2A took two attempts to get right.</description><pubDate>Wed, 21 Feb 2024 00:00:00 GMT</pubDate></item><item><title>Printing or scanning: how the same negative can look completely different</title><link>https://the120.ist/guides/printing-vs-scanning-darkroom/</link><guid isPermaLink="true">https://the120.ist/guides/printing-vs-scanning-darkroom/</guid><description>Lomography Berlin Kino 400 looked rough when scanned. Printed properly in the darkroom, the same negatives look great. Worth knowing about.</description><pubDate>Mon, 12 Feb 2024 00:00:00 GMT</pubDate></item><item><title>Black and white paper reversal: the technique that actually works</title><link>https://the120.ist/guides/paper-reversal-technique-nailed/</link><guid isPermaLink="true">https://the120.ist/guides/paper-reversal-technique-nailed/</guid><description>Six shoots, dozens of test sheets, three findings. ISO 1.8 for paper reversal in UK winter light. Develop to completion. Yellow filters cost four stops.</description><pubDate>Mon, 05 Feb 2024 00:00:00 GMT</pubDate></item><item><title>Lomography Berlin Kino 400 review: is the film supposed to look like that?</title><link>https://the120.ist/guides/lomography-berlin-kino-400-review/</link><guid isPermaLink="true">https://the120.ist/guides/lomography-berlin-kino-400-review/</guid><description>Lomography Berlin Kino 400 has a startlingly dark film base. Two rolls and two developers later, I am sure that yes, it is supposed to look like that.</description><pubDate>Fri, 19 Jan 2024 00:00:00 GMT</pubDate></item><item><title>AstrHori AH-M1 review: a hot shoe light meter you are supposed to sand down</title><link>https://the120.ist/guides/astrhori-ah-m1-review/</link><guid isPermaLink="true">https://the120.ist/guides/astrhori-ah-m1-review/</guid><description>The AstrHori AH-M1 is a hot shoe meter you are encouraged to sand the paint off. It is also a perfectly decent meter. Both things are true.</description><pubDate>Fri, 12 Jan 2024 00:00:00 GMT</pubDate></item><item><title>Lomography Lady Grey 400 review: a well-behaved black and white film</title><link>https://the120.ist/guides/lomography-lady-grey-400-review/</link><guid isPermaLink="true">https://the120.ist/guides/lomography-lady-grey-400-review/</guid><description>Lomography Lady Grey 400 surprised me. Fine grain for a 400 film, controlled contrast, clean rendering. Not what I expected from Lomography at all.</description><pubDate>Thu, 04 Jan 2024 00:00:00 GMT</pubDate></item><item><title>Black and white paper reversal: 4x5 prints for 25p a sheet</title><link>https://the120.ist/guides/black-and-white-paper-reversal-introduction/</link><guid isPermaLink="true">https://the120.ist/guides/black-and-white-paper-reversal-introduction/</guid><description>Black and white paper reversal lets you shoot 4x5 prints for around 25p a sheet, no negatives needed. Cheap, hands-on and tricky. How it works.</description><pubDate>Thu, 21 Dec 2023 00:00:00 GMT</pubDate></item><item><title>Kiev 60 review: not a Pentacon Six copy, and arguably the better camera</title><link>https://the120.ist/guides/kiev-60-review/</link><guid isPermaLink="true">https://the120.ist/guides/kiev-60-review/</guid><description>The Kiev 60 is dismissed as a Soviet Pentacon Six copy. It is neither a copy nor a worse camera. With Carl Zeiss Jena glass it is genuinely excellent.</description><pubDate>Mon, 11 Dec 2023 00:00:00 GMT</pubDate></item><item><title>Sitting for a wet plate collodion portrait with Guy Bellingham FRPS</title><link>https://the120.ist/guides/wet-plate-collodion-guy-bellingham/</link><guid isPermaLink="true">https://the120.ist/guides/wet-plate-collodion-guy-bellingham/</guid><description>Wet plate collodion produces something nothing else can. I sat for three portraits with Guy Bellingham FRPS, one of the world&apos;s best at this process.</description><pubDate>Sat, 02 Dec 2023 00:00:00 GMT</pubDate></item><item><title>Negative Thinking: the Bristol community darkroom run on a mission, not margins</title><link>https://the120.ist/guides/negative-thinking-darkroom-bristol/</link><guid isPermaLink="true">https://the120.ist/guides/negative-thinking-darkroom-bristol/</guid><description>Negative Thinking is a Bristol community darkroom run by Tim and Emily. £5 an hour, £50 workshops. The pricing is the mission, not a tactic.</description><pubDate>Sun, 19 Nov 2023 00:00:00 GMT</pubDate></item><item><title>Alfie TYCH review: a brand new half-frame 35mm camera worth taking seriously</title><link>https://the120.ist/guides/alfie-tych-review/</link><guid isPermaLink="true">https://the120.ist/guides/alfie-tych-review/</guid><description>The Alfie TYCH is a half-frame 35mm with four lens options including a pinhole and a zone plate. Genuinely new design. Mine earned its keep on holiday.</description><pubDate>Sun, 12 Nov 2023 00:00:00 GMT</pubDate></item><item><title>Zebra dry plate tintypes take two: working out the exposure by trial and error</title><link>https://the120.ist/guides/zebra-dry-plate-tintypes-take-two/</link><guid isPermaLink="true">https://the120.ist/guides/zebra-dry-plate-tintypes-take-two/</guid><description>Second attempt at Zebra dry plate tintypes. Two packs of plates later I got one I genuinely like. Lessons on exposure, latitude and the guidance.</description><pubDate>Mon, 30 Oct 2023 00:00:00 GMT</pubDate></item><item><title>Kowa Six review: a great camera, until I broke it</title><link>https://the120.ist/guides/kowa-six-review/</link><guid isPermaLink="true">https://the120.ist/guides/kowa-six-review/</guid><description>The Kowa Six is a Japanese 6x6 SLR from the late 60s. Lovely portraits in the right hands. Mine gummed up after two rolls. Know this before you buy.</description><pubDate>Sun, 08 Oct 2023 00:00:00 GMT</pubDate></item><item><title>Zebra dry plate tintypes review: the affordable cousin of wet plate collodion</title><link>https://the120.ist/guides/zebra-dry-plates-review/</link><guid isPermaLink="true">https://the120.ist/guides/zebra-dry-plates-review/</guid><description>Zebra dry plate tintypes give you wet plate collodion aesthetics without the wet workflow. Mixed first results and lessons learned for next time.</description><pubDate>Sun, 24 Sep 2023 00:00:00 GMT</pubDate></item><item><title>Landscape photography on the Bronica ETRS in Snowdonia, and why the results don&apos;t excite me</title><link>https://the120.ist/guides/landscape-photography-snowdonia-bronica-etrs/</link><guid isPermaLink="true">https://the120.ist/guides/landscape-photography-snowdonia-bronica-etrs/</guid><description>I took the Bronica ETRS to Snowdonia for landscape photography. The place was breathtaking. The photographs were fine. Working out what that means.</description><pubDate>Mon, 18 Sep 2023 00:00:00 GMT</pubDate></item><item><title>Testing four antique large format lenses: Ross, Emil Busch, Oscar Simon, Perken Son and Rayment</title><link>https://the120.ist/guides/antique-brass-lenses-tested/</link><guid isPermaLink="true">https://the120.ist/guides/antique-brass-lenses-tested/</guid><description>Four antique brass large format lenses from 1895 to 1924 tested side by side on 4x5. Honest findings on what one shoot can and cannot tell you.</description><pubDate>Wed, 30 Aug 2023 00:00:00 GMT</pubDate></item><item><title>Bronica ETRS review: the 645 camera I am keeping</title><link>https://the120.ist/guides/bronica-etrs-review/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-etrs-review/</guid><description>The Bronica ETRS converted me to 645. Sharp lenses, sensible electronics, solidly built, comfortable to carry. A keeper for me.</description><pubDate>Sat, 12 Aug 2023 00:00:00 GMT</pubDate></item><item><title>Can you shoot wildlife on a 4x5 view camera? Yes, but you shouldn&apos;t</title><link>https://the120.ist/guides/wildlife-on-4x5-view-camera/</link><guid isPermaLink="true">https://the120.ist/guides/wildlife-on-4x5-view-camera/</guid><description>I tried wildlife on a 4x5 view camera at a South African game reserve. Technically possible. Practically nope. Here is why you should not bother.</description><pubDate>Sun, 16 Jul 2023 00:00:00 GMT</pubDate></item><item><title>Zeiss Ikon Box Tengor 56/2 review: king of box cameras or just another box camera?</title><link>https://the120.ist/guides/zeiss-ikon-box-tengor-review/</link><guid isPermaLink="true">https://the120.ist/guides/zeiss-ikon-box-tengor-review/</guid><description>The Zeiss Ikon Box Tengor 56/2 has a reputation as the best box camera ever made. My experience says it is fine but not exceptional. Here is why.</description><pubDate>Wed, 21 Jun 2023 00:00:00 GMT</pubDate></item><item><title>Large format photography in South Africa: a landscape I am actually proud of, and a smashed camera</title><link>https://the120.ist/guides/large-format-photography-south-africa/</link><guid isPermaLink="true">https://the120.ist/guides/large-format-photography-south-africa/</guid><description>A Cradle Moon shoot with the Stenopeika 4x5 and a Busch Aplanat. Got a landscape frame I am proud of, then dropped the camera and broke it.</description><pubDate>Thu, 01 Jun 2023 00:00:00 GMT</pubDate></item><item><title>Photographing birds of prey on 4x5 at Wren Birds of Prey, with the Nikkor 65mm SW</title><link>https://the120.ist/guides/wren-birds-of-prey-nikkor-65mm/</link><guid isPermaLink="true">https://the120.ist/guides/wren-birds-of-prey-nikkor-65mm/</guid><description>A morning at Wren Birds of Prey with Jenny and her rescue birds, shot on 4x5 with my new Nikkor 65mm SW. Hard, lovely, instructive.</description><pubDate>Fri, 28 Apr 2023 00:00:00 GMT</pubDate></item><item><title>Mamiya 645J review: a budget classic I really liked, but eventually sold on</title><link>https://the120.ist/guides/mamiya-645j-review/</link><guid isPermaLink="true">https://the120.ist/guides/mamiya-645j-review/</guid><description>The Mamiya 645J is the budget Mamiya 645. Cracking little camera, great lenses, comfortable handling. I sold mine to keep the Bronica ETRS instead.</description><pubDate>Thu, 16 Mar 2023 00:00:00 GMT</pubDate></item><item><title>Stenopeika Air Force 4x5 first impressions: my new large format field camera</title><link>https://the120.ist/guides/stenopeika-air-force-4x5-first-impressions/</link><guid isPermaLink="true">https://the120.ist/guides/stenopeika-air-force-4x5-first-impressions/</guid><description>First impressions of the Stenopeika Air Force 4x5 from Samuele in Italy. Lovely build, clever zeroing tabs, comprehensive movements, good value.</description><pubDate>Mon, 13 Feb 2023 00:00:00 GMT</pubDate></item><item><title>Holga 120N review: a thoroughly bad camera that I genuinely enjoyed</title><link>https://the120.ist/guides/holga-120n-review/</link><guid isPermaLink="true">https://the120.ist/guides/holga-120n-review/</guid><description>First time using the Holga 120N after 30 years of film. Technically awful camera that frees you from precision and lets you just take photos.</description><pubDate>Sun, 05 Feb 2023 00:00:00 GMT</pubDate></item><item><title>Medium format film cameras: a guide to what is out there beyond the top-ten lists</title><link>https://the120.ist/guides/medium-format-cameras-guide/</link><guid isPermaLink="true">https://the120.ist/guides/medium-format-cameras-guide/</guid><description>A guide to medium format film cameras by category. Not a best-of list. A map of what exists, is cheap, and gets overlooked by top-ten lists.</description><pubDate>Fri, 23 Dec 2022 00:00:00 GMT</pubDate></item><item><title>Jolies Fleurs, Thornbury: a florist shoot with the Mamiya Super 23 and Speed Graphic</title><link>https://the120.ist/guides/jolies-fleurs-flower-shop-thornbury/</link><guid isPermaLink="true">https://the120.ist/guides/jolies-fleurs-flower-shop-thornbury/</guid><description>Photographing Jolies Fleurs in Thornbury with the Mamiya Super 23 and Speed Graphic 4x5. Brilliant team, lovely florist, plus a learning experience.</description><pubDate>Fri, 02 Dec 2022 00:00:00 GMT</pubDate></item><item><title>Photography inspiration: active vs passive, and clearing my creative block at Llanthony Priory</title><link>https://the120.ist/guides/photography-inspiration-active-vs-passive/</link><guid isPermaLink="true">https://the120.ist/guides/photography-inspiration-active-vs-passive/</guid><description>Creative block, every shoot coming home empty. Active vs passive photography started clearing it. Tested at Llanthony Priory in the Black Mountains.</description><pubDate>Tue, 22 Nov 2022 00:00:00 GMT</pubDate></item><item><title>Building a garage darkroom and printing for the first time in 30 years</title><link>https://the120.ist/guides/garage-darkroom-first-prints/</link><guid isPermaLink="true">https://the120.ist/guides/garage-darkroom-first-prints/</guid><description>How I built a garage darkroom with an Intrepid 4x5 enlarger, plus my first printing session and what analogue printing actually feels like in hand.</description><pubDate>Tue, 08 Nov 2022 00:00:00 GMT</pubDate></item><item><title>Shooting self portraits on film, with the Reveni Labs Remote Release and a Trioplan 100mm</title><link>https://the120.ist/guides/self-portraits-on-film/</link><guid isPermaLink="true">https://the120.ist/guides/self-portraits-on-film/</guid><description>A morning of self-portraits in the woods on the Bronica S2A, with the Reveni Labs Remote Release and a Meyer Trioplan on a Simon Forster adapter.</description><pubDate>Wed, 05 Oct 2022 00:00:00 GMT</pubDate></item><item><title>Scanning film negatives at home with a DSLR and pixl-latr</title><link>https://the120.ist/guides/dslr-scanning-pixl-latr/</link><guid isPermaLink="true">https://the120.ist/guides/dslr-scanning-pixl-latr/</guid><description>My setup for scanning 35mm, 120, 4x5 and glass plate negatives at home with a digital camera and the pixl-latr holder. The kit, process and problems.</description><pubDate>Tue, 13 Sep 2022 00:00:00 GMT</pubDate></item><item><title>Camera scanning negatives with the PIXL-LATR: the gadget that actually speeded up my workflow</title><link>https://the120.ist/guides/pixl-latr-camera-scanning-negatives/</link><guid isPermaLink="true">https://the120.ist/guides/pixl-latr-camera-scanning-negatives/</guid><description>How I scan film with a digital camera, the PIXL-LATR negative holder, and my full setup. The first gadget that made my workflow faster, not slower.</description><pubDate>Tue, 13 Sep 2022 00:00:00 GMT</pubDate></item><item><title>Bronica S2A on tour Part 2: shooting wildlife in Kruger National Park, unprepared and impressed</title><link>https://the120.ist/guides/bronica-s2a-on-tour-south-africa/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-on-tour-south-africa/</guid><description>Driving through Kruger National Park between work meetings on the Bronica S2A with no telephoto lens, no expectations, and one keeper elephant frame.</description><pubDate>Fri, 09 Sep 2022 00:00:00 GMT</pubDate></item><item><title>Bronica S2A on tour Part 1: a Namibian road trip from Windhoek to Solitaire</title><link>https://the120.ist/guides/bronica-s2a-on-tour-namibia/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-on-tour-namibia/</guid><description>A day-long road trip across Namibia from Windhoek to Solitaire on Kodak Gold and FP4 with the Bronica S2A, plus extraordinary desert landscape.</description><pubDate>Thu, 01 Sep 2022 00:00:00 GMT</pubDate></item><item><title>Best medium format camera for travel: choosing between SLR, TLR, folder, and box for an Africa trip</title><link>https://the120.ist/guides/best-medium-format-for-travel/</link><guid isPermaLink="true">https://the120.ist/guides/best-medium-format-for-travel/</guid><description>Choosing one medium format film camera for a three-week Africa work trip. Five criteria, ten cameras considered, one surprisingly difficult decision.</description><pubDate>Tue, 28 Jun 2022 00:00:00 GMT</pubDate></item><item><title>620 film at Trashman Treasures: a Vollenda and a Brownie Flash B</title><link>https://the120.ist/guides/620-film-trashman-treasures/</link><guid isPermaLink="true">https://the120.ist/guides/620-film-trashman-treasures/</guid><description>Two 620 cameras from Trashman Treasures in Wickwar, a Kodak Vollenda and a Brownie Flash B. The first shoot was a disaster. The second one worked.</description><pubDate>Tue, 21 Jun 2022 00:00:00 GMT</pubDate></item><item><title>Chroma Cube66 review: the first pinhole camera that actually got me</title><link>https://the120.ist/guides/chroma-cube66-review/</link><guid isPermaLink="true">https://the120.ist/guides/chroma-cube66-review/</guid><description>The Chroma Cube66 is a 6x6 medium format pinhole camera by Steve Lloyd of Chroma Cameras. Shot in St Arilda&apos;s churchyard and woods on FP4 and Pro 400H.</description><pubDate>Thu, 26 May 2022 00:00:00 GMT</pubDate></item><item><title>Re-skinning a Bronica S2A in faux snake skin</title><link>https://the120.ist/guides/bronica-s2a-leatherette-reskin/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-leatherette-reskin/</guid><description>Re-skinning the Bronica S2A in faux snake skin from Milly&apos;s Cameras. The full process, including the solvent test that worked and the cutting mistakes I made.</description><pubDate>Fri, 13 May 2022 00:00:00 GMT</pubDate></item><item><title>3x4 Speed Graphic: a Craigslist find and a homemade ground glass</title><link>https://the120.ist/guides/3x4-speed-graphic-120-film/</link><guid isPermaLink="true">https://the120.ist/guides/3x4-speed-graphic-120-film/</guid><description>A 3x4 Speed Graphic found on Craigslist in Alaska, with a Graflex 23 back for 120 film. Plus how I made a ground glass out of Perspex from a Home Depot.</description><pubDate>Thu, 21 Apr 2022 00:00:00 GMT</pubDate></item><item><title>Fuji GW690iii Part 2: Downtown Anchorage and Why I Sold It</title><link>https://the120.ist/guides/fuji-gw690iii-alaska-part-2/</link><guid isPermaLink="true">https://the120.ist/guides/fuji-gw690iii-alaska-part-2/</guid><description>Part 2 of the Fuji GW690iii in Alaska. Downtown Anchorage on Ilford Delta 100 and Kodak Ektar, the camera that won me over and the reason I sold it.</description><pubDate>Thu, 14 Apr 2022 00:00:00 GMT</pubDate></item><item><title>Fuji GW690iii in Alaska, part one: the camera with the nickname I refuse to use</title><link>https://the120.ist/guides/fuji-gw690iii-alaska-part-1/</link><guid isPermaLink="true">https://the120.ist/guides/fuji-gw690iii-alaska-part-1/</guid><description>First outing with the Fuji GW690iii in snowy Alaska, on Ilford FP4 and Kodak Ektar. A modern 6x9 mechanical rangefinder with a nickname I am refusing to use.</description><pubDate>Thu, 31 Mar 2022 00:00:00 GMT</pubDate></item><item><title>510 Pyro vs HC-110: a 4x5 side by side and a chat with James Lane</title><link>https://the120.ist/guides/510-pyro-vs-hc110/</link><guid isPermaLink="true">https://the120.ist/guides/510-pyro-vs-hc110/</guid><description>A 4x5 side by side test of 510 Pyro and HC-110 on FP4 at St Arilda&apos;s church, plus the chemistry of pyrogallol staining explained by James Lane of Zone Imaging.</description><pubDate>Mon, 28 Mar 2022 00:00:00 GMT</pubDate></item><item><title>Six airport scans on a bag of film: a 2022 test, with a 2026 footnote</title><link>https://the120.ist/guides/airport-scanners-and-film/</link><guid isPermaLink="true">https://the120.ist/guides/airport-scanners-and-film/</guid><description>What happens when you forget about a bag of film for a four-week Costa Rica trip and let it sit through six airport scans. A 2022 test plus a 2026 update.</description><pubDate>Fri, 18 Feb 2022 00:00:00 GMT</pubDate></item><item><title>Hasselblad 500C/M review: are they really that special?</title><link>https://the120.ist/guides/hasselblad-500cm-review/</link><guid isPermaLink="true">https://the120.ist/guides/hasselblad-500cm-review/</guid><description>Are Hasselblads worth the hype and the money? I borrowed a 500C/M for a day of portraits to find out. Yes, they really are, and that is almost the problem.</description><pubDate>Tue, 11 Jan 2022 00:00:00 GMT</pubDate></item><item><title>Rolleiflex SLX review: the auto-winding 6x6 I decided to keep</title><link>https://the120.ist/guides/rolleiflex-slx-review/</link><guid isPermaLink="true">https://the120.ist/guides/rolleiflex-slx-review/</guid><description>Review of the Rolleiflex SLX, a 1976 auto-winding electronic 6x6 SLR with shutter priority auto exposure, leaf shutter lens and a notable battery problem.</description><pubDate>Thu, 23 Dec 2021 00:00:00 GMT</pubDate></item><item><title>Krauss Rollette Luxus review: shooting 127 film in a 129 camera</title><link>https://the120.ist/guides/krauss-rollette-luxus-review/</link><guid isPermaLink="true">https://the120.ist/guides/krauss-rollette-luxus-review/</guid><description>Review of the Krauss Rollette Luxus, a 1928 German folder for long-extinct 129 film, plus a workaround that lets you shoot 127 film through it with a washer.</description><pubDate>Sun, 24 Oct 2021 00:00:00 GMT</pubDate></item><item><title>Large format at Llancaut Church: a Wye Valley walk with the Intrepid 4x5</title><link>https://the120.ist/guides/llancaut-church-intrepid-4x5/</link><guid isPermaLink="true">https://the120.ist/guides/llancaut-church-intrepid-4x5/</guid><description>A 4x5 walk to the medieval ruins of Llancaut Church in the Wye Valley with the Intrepid, two sheets of film (Delta 100 and Ektar) and a Ricoh R1 in the bag.</description><pubDate>Thu, 07 Oct 2021 00:00:00 GMT</pubDate></item><item><title>Voigtländer Bessa I review: a 1951 6x9 folder with the Vaskar 105mm</title><link>https://the120.ist/guides/voigtlander-bessa-1-review/</link><guid isPermaLink="true">https://the120.ist/guides/voigtlander-bessa-1-review/</guid><description>Review of the Voigtländer Bessa I, a 1951 6x9 medium format folder with the Vaskar 105mm f/4.5 lens, shot around Chepstow Castle on FP4 after a deep clean.</description><pubDate>Fri, 01 Oct 2021 00:00:00 GMT</pubDate></item><item><title>Lens fungus removal: cleaning a Voigtländer Bessa I lens with ammonia and peroxide</title><link>https://the120.ist/guides/bessa-1-lens-fungus-removal/</link><guid isPermaLink="true">https://the120.ist/guides/bessa-1-lens-fungus-removal/</guid><description>How to remove fungus from a Voigtländer Bessa I lens with ammonia and hydrogen peroxide, plus disassembly notes and re-calibrating the infinity focus.</description><pubDate>Fri, 17 Sep 2021 00:00:00 GMT</pubDate></item><item><title>Mamiya C330 Pro F review: a genuinely capable TLR I sold without regret</title><link>https://the120.ist/guides/mamiya-c330-pro-f-review/</link><guid isPermaLink="true">https://the120.ist/guides/mamiya-c330-pro-f-review/</guid><description>Mamiya C330 Pro F review: the 1972 medium format TLR with interchangeable lenses and bellows focusing, shot on FP4 in a Bristol field with an honest verdict.</description><pubDate>Sun, 18 Jul 2021 00:00:00 GMT</pubDate></item><item><title>A Viking portrait shoot in a forest: 4x5 large format with a homemade costume</title><link>https://the120.ist/guides/viking-portrait-shoot-4x5/</link><guid isPermaLink="true">https://the120.ist/guides/viking-portrait-shoot-4x5/</guid><description>A Viking themed character shoot in a forest, on the Toyo 4x5 with FP4 and Ektar plus a mystery Dallmeyer 8.5 inch lens that turned out to be a revelation.</description><pubDate>Mon, 07 Jun 2021 00:00:00 GMT</pubDate></item><item><title>Three new lenses for the Bronica S2A: a 6x6 test in Tetbury</title><link>https://the120.ist/guides/bronica-s2a-three-lenses-tetbury/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-three-lenses-tetbury/</guid><description>Three Bronica S2A lenses tested on 6x6: a wide 50mm Super-Komura, the standard 75mm Nikkor PC and a 150mm Zenzanon, with portraits shot in Tetbury.</description><pubDate>Mon, 10 May 2021 00:00:00 GMT</pubDate></item><item><title>The best glue for camera leatherette: testing eleven options</title><link>https://the120.ist/guides/best-glue-for-camera-leatherette/</link><guid isPermaLink="true">https://the120.ist/guides/best-glue-for-camera-leatherette/</guid><description>Testing eleven different glues and tapes for sticking camera leatherette, from contact adhesives and PVA to super glue and E6000, with one clear winner.</description><pubDate>Tue, 04 May 2021 00:00:00 GMT</pubDate></item><item><title>My first large format pinhole shoot: making the lens board and finding the limits</title><link>https://the120.ist/guides/large-format-pinhole/</link><guid isPermaLink="true">https://the120.ist/guides/large-format-pinhole/</guid><description>Making a 0.4mm brass pinhole lens board for the Intrepid 4x5 then shooting Ashley Robson on Foma 400 at Worcester Lodge, with mixed results and open questions.</description><pubDate>Tue, 27 Apr 2021 00:00:00 GMT</pubDate></item><item><title>Intrepid 4x5 Mk IV review: a £250 field camera for portable large format</title><link>https://the120.ist/guides/intrepid-4x5-mk-iv-review/</link><guid isPermaLink="true">https://the120.ist/guides/intrepid-4x5-mk-iv-review/</guid><description>Intrepid 4x5 Mk IV review: a £250 plywood field camera at a quarter of the weight of a monorail, with the trade-offs that come with that price.</description><pubDate>Sat, 17 Apr 2021 00:00:00 GMT</pubDate></item><item><title>GB Kershaw 110 review: a £5 1950s folder from Leeds that punches well above its weight</title><link>https://the120.ist/guides/gb-kershaw-110-review/</link><guid isPermaLink="true">https://the120.ist/guides/gb-kershaw-110-review/</guid><description>GB Kershaw 110 review: a basic 1954 folder from Leeds with a meniscus lens, two apertures and a genuinely interesting history behind the GB Equipments name.</description><pubDate>Wed, 24 Mar 2021 00:00:00 GMT</pubDate></item><item><title>What is 120 film? A complete guide to medium format</title><link>https://the120.ist/guides/what-is-120-film/</link><guid isPermaLink="true">https://the120.ist/guides/what-is-120-film/</guid><description>120 film is the medium format roll film most photographers move to after 35mm. What it is, how it differs, how to load it, and how the frame sizes work.</description><pubDate>Wed, 10 Mar 2021 00:00:00 GMT</pubDate></item><item><title>Large format night photography on 4x5: a freezing experiment with FP4+ and the reciprocity tables</title><link>https://the120.ist/guides/large-format-night-shoot/</link><guid isPermaLink="true">https://the120.ist/guides/large-format-night-shoot/</guid><description>Large format night shoot on 4x5 with the Toyo 45C and Nikkor SW 90mm, working through FP4+ reciprocity failure on a freezing February evening at St Arilda&apos;s.</description><pubDate>Thu, 18 Feb 2021 00:00:00 GMT</pubDate></item><item><title>Bronica S2A focusing screen saga: how 1mm of plastic taught me about camera tolerances</title><link>https://the120.ist/guides/bronica-s2a-focusing-screen-saga/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-focusing-screen-saga/</guid><description>Replacing the focusing screen on a Bronica S2A with a Rick Oleson Brightscreen, learning how tight the tolerances are on a 1970s medium format SLR.</description><pubDate>Tue, 02 Feb 2021 00:00:00 GMT</pubDate></item><item><title>Straightening verticals on 4x5: camera movements explained with the Nikkor SW 90mm at St Arilda&apos;s</title><link>https://the120.ist/guides/4x5-camera-movements-vertical-correction/</link><guid isPermaLink="true">https://the120.ist/guides/4x5-camera-movements-vertical-correction/</guid><description>Using rear standard tilt and front rise on the Toyo 45C with a Nikkor SW 90mm to correct keystoning on a church, with the technique properly explained.</description><pubDate>Wed, 30 Dec 2020 00:00:00 GMT</pubDate></item><item><title>Canon AE-1 Program review: 27 years, three rolls and the camera that got me into photography</title><link>https://the120.ist/guides/canon-ae-1-program-review/</link><guid isPermaLink="true">https://the120.ist/guides/canon-ae-1-program-review/</guid><description>Canon AE-1 Program review: the 1981 Canon SLR that brought Program AE to the entry level, plus three rolls of film shot around Oldbury-on-Severn.</description><pubDate>Sat, 21 Nov 2020 00:00:00 GMT</pubDate></item><item><title>Colour filters in black and white photography: what they do, when to use them and why green still has a place</title><link>https://the120.ist/guides/colour-filters-black-and-white/</link><guid isPermaLink="true">https://the120.ist/guides/colour-filters-black-and-white/</guid><description>How colour filters work in black and white photography, with side-by-side FP4 tests through a Yashica 635, and why green is more useful than it looks.</description><pubDate>Mon, 02 Nov 2020 00:00:00 GMT</pubDate></item><item><title>Narrative photography on 4x5: a man on the run with Ashley Robson and a 100-year-old Tessar</title><link>https://the120.ist/guides/narrative-shoot-ashley-robson-100-year-old-tessar/</link><guid isPermaLink="true">https://the120.ist/guides/narrative-shoot-ashley-robson-100-year-old-tessar/</guid><description>First real outing for the 1920s Carl Zeiss Jena Tessar 135mm on 4x5, a narrative shoot with Ashley Robson in Shaw Forest Park, and a fixer problem to solve.</description><pubDate>Mon, 26 Oct 2020 00:00:00 GMT</pubDate></item><item><title>Hacking my way into large format photography: £175, a 100-year-old lens, a Toyo 45C and a homemade lens board</title><link>https://the120.ist/guides/hacking-my-way-into-large-format/</link><guid isPermaLink="true">https://the120.ist/guides/hacking-my-way-into-large-format/</guid><description>How I got into 4x5 large format photography for £175 by combining a 1920s Zeiss Tessar from a Camera Rescue outlet box with a £90 Toyo 45C from eBay.</description><pubDate>Thu, 15 Oct 2020 00:00:00 GMT</pubDate></item><item><title>Agfa Synchro Box review: a 1950s German box camera that shoots a colossal 6x9 negative for £40</title><link>https://the120.ist/guides/agfa-synchro-box-review/</link><guid isPermaLink="true">https://the120.ist/guides/agfa-synchro-box-review/</guid><description>Hands-on review of the Agfa Synchro Box 600, a 1951 German box camera shooting 6x9 on 120 film with a single-element meniscus lens and built-in yellow filter.</description><pubDate>Tue, 29 Sep 2020 00:00:00 GMT</pubDate></item><item><title>How I cleaned a dead fly off the prism of my Mamiya 528AL (a slightly cautionary tale)</title><link>https://the120.ist/guides/mamiya-528al-prism-cleaning/</link><guid isPermaLink="true">https://the120.ist/guides/mamiya-528al-prism-cleaning/</guid><description>An honest writeup of taking apart a Mamiya 528AL to clean a dead fly off the pentaprism, with the benefit of hindsight on what I should have done differently.</description><pubDate>Tue, 22 Sep 2020 00:00:00 GMT</pubDate></item><item><title>Gerlach Nixette review: a £12 1954 German folding camera that is hard to beat for the money</title><link>https://the120.ist/guides/gerlach-nixette-review/</link><guid isPermaLink="true">https://the120.ist/guides/gerlach-nixette-review/</guid><description>Hands-on review of the Gerlach Nixette (Nixon Nixette), a 1950s German 6x6 folding camera with an unusual single-fold bellows and a Supra Anastigmat lens.</description><pubDate>Sun, 20 Sep 2020 00:00:00 GMT</pubDate></item><item><title>Rolleicord III review and shoot: a 70-year-old German TLR with a scratched lens and real character</title><link>https://the120.ist/guides/rolleicord-iii-review/</link><guid isPermaLink="true">https://the120.ist/guides/rolleicord-iii-review/</guid><description>Hands-on review and shoot test of the 1950 Rolleicord III TLR with Schneider Xenar 75mm f/3.5, compared with the Yashica 635, with a scratched-lens twist.</description><pubDate>Sun, 13 Sep 2020 00:00:00 GMT</pubDate></item><item><title>Bronica S2A in-depth review and shoot: the Japanese Hasselblad and the satisfying car-door-slam shutter</title><link>https://the120.ist/guides/bronica-s2a-in-depth-review/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2a-in-depth-review/</guid><description>Hands-on review of the Bronica S2A 6x6 medium format SLR, with side-by-side comparison to the Bronica S2 and an abstract garage shoot demonstration.</description><pubDate>Tue, 08 Sep 2020 00:00:00 GMT</pubDate></item><item><title>How to tell a Bronica S2 from a Bronica S2A: an identification guide (with the usual debates)</title><link>https://the120.ist/guides/bronica-s2-vs-s2a-identification/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2-vs-s2a-identification/</guid><description>Practical guide to identifying a Bronica S2 vs S2A by serial number, winding knob, knob centre and neck strap lugs, with caveats about disputed claims.</description><pubDate>Mon, 24 Aug 2020 00:00:00 GMT</pubDate></item><item><title>Bronica S2 and S2A infinity focus fix: replacing the ground glass foam (a DIY repair with a confession)</title><link>https://the120.ist/guides/bronica-s2-infinity-focus-fix/</link><guid isPermaLink="true">https://the120.ist/guides/bronica-s2-infinity-focus-fix/</guid><description>How to fix the classic Bronica S2 and S2A infinity focus problem by replacing the degraded foam under the ground glass, with all my mistakes left in.</description><pubDate>Thu, 20 Aug 2020 00:00:00 GMT</pubDate></item><item><title>Mamiya 528AL review: the last leaf-shutter SLR, a curious 35mm camera from the end of an era</title><link>https://the120.ist/guides/mamiya-528al-review/</link><guid isPermaLink="true">https://the120.ist/guides/mamiya-528al-review/</guid><description>Hands-on review of the Mamiya 528AL, a 1975 fixed-lens leaf-shutter 35mm SLR with 48mm f/2.8 Sekor lens, shot with Kentmere Pan 100 at Severn Beach.</description><pubDate>Thu, 06 Aug 2020 00:00:00 GMT</pubDate></item><item><title>Yashica 635 review: the dual-format TLR that takes 120 and 35mm film, and remains my favourite</title><link>https://the120.ist/guides/yashica-635-review/</link><guid isPermaLink="true">https://the120.ist/guides/yashica-635-review/</guid><description>Hands-on review of the Yashica 635 TLR with 80mm f/3.5 Yashikor lens, Copal MXV shutter, dual 120 and 35mm capability, plus a Severn Bridge test shoot.</description><pubDate>Mon, 13 Jul 2020 00:00:00 GMT</pubDate></item></channel></rss>