Tag

6x6.

10 items filed under this.

Guides

10
  1. Missing my Bronica S2A: an appreciation I am in Canada and my Bronica S2A is at home. I have been missing it more than I expected to. This is a quiet appreciation of the medium format camera that has become part of the family over the last seven years, and the reasons I will never sell it.
  2. Missing my Bronica S2A: an appreciation I am in Canada and my Bronica S2A is at home. I have been missing it more than I expected to. This is a quiet appreciation of the medium format camera that has become part of the family over the last seven years, and the reasons I will never sell it.
  3. Hasselblad 500C/M review: are Hasselblads really that special? Are Hasselblads worth the hype and the money? I borrowed a Hasselblad 500C/M for a day of portraits to find out. The honest answer: yes, they really are that good, and that is almost the problem.
  4. Hasselblad 500C/M review: are Hasselblads really that special? Are Hasselblads worth the hype and the money? I borrowed a Hasselblad 500C/M for a day of portraits to find out. The honest answer: yes, they really are that good, and that is almost the problem.
  5. Kentmere Pan 200 review: a budget black and white film with real character Kentmere Pan 200 is Ilford's new addition to the budget Kentmere line, slotting between Pan 100 and Pan 400. Tested across three rolls on Bronica GS1, Rolleiflex SLX and a walk around Toronto, this is a properly good film with some bite to it. And at around £5 a roll it costs significantly less than FP4.
  6. Lomo LC-A 120 review: a point-and-shoot medium format camera with a brilliant lens The Lomo LC-A 120 is an auto-exposure point-and-shoot that shoots 6x6 on 120 film. I took it across Botswana and Namibia, loved the lens when it was sharp, struggled with the zone focusing, broke the camera, and came away wanting one anyway. Honest review.
  7. Lomo LC-A 120 review: a point-and-shoot medium format camera with a brilliant lens The Lomo LC-A 120 is an auto-exposure point-and-shoot that shoots 6x6 on 120 film. I took it across Botswana and Namibia, loved the lens when it was sharp, struggled with the zone focusing, broke the camera, and came away wanting one anyway. Honest review.
  8. Rolleiflex 6006 review: a great camera, and I'm still selling mine After six months of failure with a broken first copy and a saga involving a retired camera tech in Toronto, I finally got a working Rolleiflex 6006. It is genuinely a great camera. So why am I selling it? The honest answer involves the Rolleiflex SLX, the survival rate of 80s electronics, and a bit of unshakeable PTSD.
  9. Rolleiflex 6006 review: a great camera, and I'm still selling mine After six months of failure with a broken first copy and a saga involving a retired camera tech in Toronto, I finally got a working Rolleiflex 6006. It is genuinely a great camera. So why am I selling it? The honest answer involves the Rolleiflex SLX, the survival rate of 80s electronics, and a bit of unshakeable PTSD.
  10. What is 120 film? Everything you need to know about medium format 120 film is the medium format roll film most photographers move on to after 35mm. Here is what it is, how it differs, how to load it, how the frame sizes work, and the bits that confuse everyone the first time.